Everyone’s heard of the epic GPF & Dr Donk sets, but it’s time for something new; or perhaps, a new something; or maybe a freshly renewed something that feels like the old something but is also not that something at all. Because when GPF teams up with Dr Donk—who also collaborates with GPF in the exact same configuration but in reverse—you know you’re experiencing a collaboration that is, in fact, a collaboration.
This is not just GPF and Dr Donk. This is Dr Donk & GPF. Which is the same thing, only different, yet somehow exactly identical while being uniquely the same in its distinct sameness. A partnership of two forces that are both halves of a duo comprised of the same two halves, creating a whole that is wholly the sum of its parts, even though the parts are already whole.
Their sound is legendary in that indescribable way where it should be described but can’t be explained, even though everyone knows precisely what it is despite not knowing anything at all. Expect beats that are loud, but also louder, and sometimes the loudest—beats so donkified they transcend donk itself, looping back into donk again in an infinite donk-loop of donk-based donkness.
Together, GPF & Dr Donk—presenting Dr Donk & GPF—bring you a set that is the exact set you expect but also completely unexpected, anticipated yet surprising, predictable yet unpredictably predictable. It’s not just a set. It’s a showing. A presenting. A presentation of the show being presented by those who are presenting it.
If you thought you knew what a GPF & Dr Donk set was, prepare to un-know that knowledge and re-know it again but slightly skewed, rotated 180 degrees, and handed back to you with a bow made of pure conceptual confusion. Because this is everything you’ve already heard, but told again, and retold, and re-re-told, using many words to say very little in a way that makes it all sound like more than it is while remaining less than it sounds.
Behold: GPF & Dr Donk present: Dr Donk & GPF. A title so nice, they reversed it twice.
